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Browse my writing by publication ↓
Monopol Kunstforum SLEEK Spike Right Click Save
Selected essays, interviews, and criticism.
- Interview Beeple: Beeple nach dem NFT-Hype. Warum digitale Kunst noch immer unterschätzt wird, in: Kunstforum International 312, September 2026, pp. 196–205.
- Interview Avery Singer: Das Spektakel des Krieges, in: Monopol 07/08/2026, p. 34–42 (Online, 17 July 2026).
- What Is Value in Art? Jonas Lund on AI Agents, Institutional Power, and Hacking the Art World, in: SLEEK, 15 July 2026.
- Ed Fornieles: Borrowed Online Lives, in: Right Click Save, 7 July 2026
- “Most Art Today Is Digital Art”. Trevor Paglen on AI, curation, and machine vision, in: SLEEK, 6 July 2026
- Maler Friedrich Kunath: “Die Bar ist meine Version einer sozialen Skulptur”, in: Monopol, 5 July 2026
- Refik Anadol über sein neues KI-Museum: “Museen sind die Lagerfeuer der Menschheit”, in: Monopol, 2 July 2026
- Who Shapes Culture? Mat Dryhurst on AI, Protocols, and the Future of Art, in: SLEEK, 24 June 2026
- Chloe Wise: “I Want World Peace, But for Myself”, in: SLEEK, 18 June 2026
- What Happened to NFTs, Kevin McCoy?, in: SLEEK, 27 May 2026
- The Post-Artist. LaTurbo Avedon, Holly Herndon & Mat Dryhurst, Sofia Crespo, and Jon Rafman, in: Spike #87 (Spring 2026): Everything’s Computer, p. 100–111
- Sougwen Chung: The Beauty of a Nonhuman Move, in: The AI Art Magazine #3, 2026, p. 78–87
- Why Is Beeple So Successful?, in: SLEEK, 6 May 2026
- A Life of Persistence. Lynn Hershman Leeson on Breaking Barriers for Women Artists and Embracing Technology, in: Numéro Berlin 19 (Autumn/Winter 2025): Visionary
- Kunst für Communitys, Kunst für Fandoms. Wie sich (digitale) Kunst durch soziale Medien verändert hat – ein Rückblick, in: Kunstforum 305, 2025
- Marina Abramović: “Der Avatar ist ein Teil von mir”, in: Monopol, 12 June 2025
- From Manifesto to Movement: How VNS Matrix and Cyberfeminism Challenge the Patriarchy and Influence Today’s Digital World, in: Fräulein 40, 2025

In conversation with Anika Meier for SLEEK, Chloe Wise discusses why language breaks down, why lovers can end up speaking entirely different languages, and how the things we can’t explain often become the ones we can’t stop thinking about.
https://www.sleek-mag.com/de/article/i-want-world-peace-but-for-myself/
Books and Book Contributions

Anika Meier, The Revolution is Punk, in: CryptoPunks: Free to Claim (Phaidon), 2024, pp. 817–819.
https://www.phaidon.com/en-eu/products/cryptopunks-free-to-claim/

Anika Meier on Jonas Lund, in: On NFTs (Taschen), 2025.
https://www.taschen.com/en/books/art/08154/on-nfts/

Anika Meier, Thomas Webb, in: World Building: Gaming and Art in the Digital Age (Hatje Cantz & Julia Stoschek Foundation) 2024.
https://hatjecantz.de/en/products/66041-worldbuilding

Anika Meier: “We Had a Lot of Hope”. Body Images and Power Politics in the Work of Claudia Hart, in: Patterns and Politics. Exhibition catalogue, Francisco Carolinum Linz, August 28, 2025–February 8, 2026. Linz: OÖ Landes-Kultur GmbH, 2026, pp. 17–24.

Anika Meier: On the Art of Creating Pixel Rugs with a Patronage Model, in: Travess Smalley. Pixel Rugs (Vetro Editions), 2025, pp. 26–29.
With essays by Casey Reas, and Anika Meier.

Anika Meier, in: Dekker, Annet, ed., Curating Digital Art: From Presenting and Collecting Digital Art to Networked Co-curation (Valiz), 2021, pp. 274–283.

Anika Meier, What to do with the NFT rancor?, in: Proof of Art. A short history of NFTs, from the beginning of digital art to the metaverse. Exhibition catalogue (DISTANZ Verlag), 2021, pp. 74–76.
Print Magazines

Sougwen Chung in conversation with Anika Meier: The Beauty of a Non-Human Move, in: The AI Art Magazine Number 3, 2026, pp. 78–87.
https://www.art-magazine.ai/edition/number-three

Anika Meier, The Post-Artist. LaTurbo Avedon, Holly Herndon & Mat Dryhurst, Sofia Crespo, and Jon Rafman, in: Spike #87 (Spring 2026): Everything’s Computer, p. 100–111.

Avery Singer in conversation with Anika Meier: Das Spektakel des Krieges, in: Monopol 07/08/2026, p. 34–42 (Online, 17 July 2026).

Beeple in conversation with Anika Meier: Is It Game Over for the Gatekeepers After Beeple?, in: SLEEK 89, Summer 2026, pp. 112–117.

Beeple in conversation with Anika Meier: Beeple nach dem NFT-Hype. Warum digitale Kunst noch immer unterschätzt wird, in: Kunstforum International 312, September 2026, pp. 196–205.

Nadya Tolokonnikova in conversation with Anika Meier: “Rage Is a Productive Emotion”, Numéro Berlin 18, Spring/Summer 2025.

Anika Meier, Kunst für Communitys, Kunst für Fandoms. Wie sich (digitale) Kunst durch soziale Medien verändert hat – ein Rückblick, in: Kunstforum 305, September/Oktober 2025, S. 80–87.
Fiction

Anika Meier, Kratzen im Hals, in: Dog Days (Shift Books), 2026, pp. 84–87.
https://shiftbooks.de/en/products/dog-days-hunde-anthologie