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Browse my writing by publication ↓ 
Monopol Kunstforum SLEEK Spike Right Click Save

Selected essays, interviews, and criticism.

• Interview Avery Singer: Das Spektakel des Krieges, in: Monopol 07/08/2026, p. 34–42 (Online, 17 July 2026).
• What Is Value in Art? Jonas Lund on AI Agents, Institutional Power, and Hacking the Art World, in: SLEEK, 15 July 2026.
• Ed Fornieles: Borrowed Online Lives, in: Right Click Save, 7 July 2026
• “Most Art Today Is Digital Art”. Trevor Paglen on AI, curation, and machine vision, in: SLEEK, 6 July 2026
• Maler Friedrich Kunath: “Die Bar ist meine Version einer sozialen Skulptur”, in: Monopol, 5 July 2026
• Refik Anadol über sein neues KI-Museum: “Museen sind die Lagerfeuer der Menschheit”, in: Monopol, 2 July 2026
• Who Shapes Culture? Mat Dryhurst on AI, Protocols, and the Future of Art, in: SLEEK, 24 June 2026
• Chloe Wise: “I Want World Peace, But for Myself”, in: SLEEK, 18 June 2026
• What Happened to NFTs, Kevin McCoy?, in: SLEEK, 27 May 2026
• The Post-Artist. LaTurbo Avedon, Holly Herndon & Mat Dryhurst, Sofia Crespo, and Jon Rafman, in: Spike #87 (Spring 2026): Everything’s Computer, p. 100–111
• Sougwen Chung: The Beauty of a Nonhuman Move, in: The AI Art Magazine #3, 2026, p. 78–87
• Why Is Beeple So Successful?, in: SLEEK, 6 May 2026
• A Life of Persistence. Lynn Hershman Leeson on Breaking Barriers for Women Artists and Embracing Technology, in: Numéro Berlin 19 (Autumn/Winter 2025): Visionary
• Kunst für Communitys, Kunst für Fandoms. Wie sich (digitale) Kunst durch soziale Medien verändert hat – ein Rückblick, in: Kunstforum 305, 2025
• Marina Abramović: “Der Avatar ist ein Teil von mir”, in: Monopol, 12 June 2025
• From Manifesto to Movement: How VNS Matrix and Cyberfeminism Challenge the Patriarchy and Influence Today’s Digital World, in: Fräulein 40, 2025
  

Books and Book Contributions

Print Magazines

Fiction